At George’s suggestion, I revised my reference, where I paid more attention to the performance of the character’s demeanor and avoided overly exaggerated movements. In the production of blocking, I roughly made the main expressions. It has to be said that the production of emoticons is indeed a difficult subject. You must understand and practice emoticon animations in order to achieve smooth and consistent character movements.
During this week, I repeatedly made and modified the scene. The reason is that the performance of the computer is not enough, and it is difficult to drive high-resolution textures, so I did a lot of subtraction. The scene I hope to make is similar to the feeling of the beach in Iceland. Because the black land of Iceland gives people a very primitive and unspoiled feeling, so in my setting I decided to make a beach similar to the Icelandic landscape. I used fluid flux to make waves in the sea water, and it cost me 7 days and 7 nights to study it.